This original cross-disciplinary work examines the crucial role of dialogue in philosophy from the oral dialogues of Socrates; through the written dialogues of Plato, Cicero, Lucian, Valla, Hume, and Heidegger; to the present ubiquitous form of dialogue on the Internet. Geoffrey Rockwell's main point is that in dialogue, be it oral, written, or electronic, there is a common mode of persuasion at work. The dialogue is an orchestrated event meant to be overheard. While the author is absent, the (...) readers of the dialogue are in a sense present as eavesdroppers on a conversation scripted to encourage them to judge between the characters and the philosophical positions they represent. Relying heavily on Italian Renaissance theories of dialogue, Rockwell builds on Sperone Speroni's comparison of dialogue to comedy in which there is a mixture of voices, each with its own form and content. He then looks to the essays of M. M. Bakhtin to propose a working definition of dialogue as a unity of diverse voices. Dialogue is many things, but it is principally about the culture of thoughtful conversation. It is a genre suited to presenting how people discuss ideas, how positions are related to character, and surveying positions that can be taken on a subject. In a world increasingly connected by the Internet, there is no more appropriate genre for study. (shrink)

The article argues that mainstream value-sensitive approaches to design have been based on narrow understandings of personhood and social dynamics, which are biased toward Western Educated Industrialized Rich and Democratic cultures and contradicted by empirical evidence. To respond to this weakness, the article suggests that design may benefit from focusing on user behaviours from the joint perspective of values and norms, especially across cultural contexts. As such, it proposes Norm Sensitive Design as a complement to value-sensitive approaches when designing and (...) implementing new technologies. Versus values, norms serve as more accurate predictors or descriptors of behaviours and can thus support value-sensitive approaches to realize the aspiration of informing user behaviour via design. The article makes two key contributions. On the theoretical side, it promotes the consideration of norms in design. On the practical side, it offers designers and instructors prompts for reflecting on design ethics from the perspective of norms. (shrink)

We examine the unique nature of agency problems within publicly traded family firms by investigating the earnings management decision of dominant family owners relative to non-family. To do so, we draw upon literature demonstrating that family owners are loss averse with respect to the family’s socioemotional wealth, or the affective endowment derived from firm ownership and control. Our theory and findings suggest that potential reputational consequences of earnings management lead family principals to engage in less of this practice relative to (...) non-family firms, and that founder family firms are less likely than non-founder family firms to use earnings management. Moreover, the family-firm effect varies with the firm size, the degree of CEO entrenchment, and the firm’s stock structure. We provide important insights regarding differences between family and non-family principals in the use of unethical accounting practices, thereby extending agency theory and advancing an underdeveloped research area. (shrink)

We draw on the behavioral agency model to explore the ethical consequences of CEO equity incentives. We argue that CEOs are more concerned with funding pension plans when they have more to gain from their stock options yet will increasingly underfund employee pension funds as their current option wealth increases. Our findings reveal that both effects hold when the CEO has greater power (also occupying board chair) over firm decision making. Our study suggests that there is an ethical dimension to (...) equity incentives, given they are intended to align CEO interests with shareholders, yet potentially incentivize CEO behaviors with adverse consequences for employees. Insights from our findings provide boards and regulators with behavioral levers to protect employee well-being in the context of pension funding. (shrink)

The issue of advocacy has dominated discussion of the ethical dilemmas facing nurses. However, despite this, nurses seem to be no further towards a solution of how they can be effective advocates for patients without compromising their working identity or facing conflicts of loyalty. This article considers some of the problems around advocacy and, by the use of critical incidents written by nurses involved in a diploma module, attempts to highlight where the problem could lie. A communications model is outlined, (...) using a theoretical framework taken from the work of Jürgen Habermas, and applied to nursing practice. Finally, two examples are given from the research, which illustrate how the model could be used, highlighting the problems and pitfalls that still have to be overcome. The conclusion is a positive one, in that it suggests that advocacy is possible if nurses re-examine their practice in the light of the model proposed. (shrink)

The growing significance of social media in research demands new ethical standards and practices. Although a substantial body of literature on social media ethics exists, studies on the ethics of conducting research using social media are scarce. The emergence of new evidence sources, like social media, requires innovative methods and renewed consideration of research ethics. Therefore, we pose the following question: What are the defining characteristics of ethics papers on social media research? Following a modified version of the Preferred Reporting (...) Items for Systematic Reviews and Meta-Analyses (PRISMA) protocol, we analyzed 34 publications based on ten variables: author gender, publication year, region, academic discipline, type, design, methodology, social media platform in focus, positionality statement, and ethical issues. Our findings suggest contemporary social media research ethics primarily reflects the ethical ideals of the Global North, with limited representation from the Global South. Women authors have published more papers than men authors. Previous studies have prioritized ethical concerns such as privacy, informed consent, and anonymity while overlooking researchers’ risks and the ethics of social media sites. We particularly emphasized the lack of researchers’ positionality statements in research. Our findings will pave the way to understanding social media ethics better, especially with the rapid growth of social media research in global scholarship. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reading the Bloody "Face of Nature":The Persecution of Religion in Hawthorne's The Marble FaunMartin Kevorkian (bio)Perhaps The Marble Faun is a novel which needs to be seen in a certain light to be fully revealed. Although Hawthorne has always had his admirers and defenders among literary critics, this novel has sometimes been selected for unfavorable comparison"; this 1941 assessment by Dorothy Waples (224) still aptly describes the critical terrain (...) and the challenge of reading Hawthorne's last complete novel. In recent scholarship, Nancy Bentley's The Ethnography of Manners (1995) has been influential in marking The Marble Faun for continued unfavorable comparison. Geoffrey Sanborn (1998), in building a case for the postcolonial intelligence of Herman Melville, uses Bentley's argument about the novel's disregard for the "lower orders of creation" to set up Hawthorne as a representative of the typically blinkered "white male writers" against whose limitations Melville shines (18, 214n33). Hawthorne, especially in The Marble Faun, has become a kind of whipping boy for American literary history.Be that as it may, my concern is not to establish Hawthorne's status as a victim of criticism, but rather to seek a recovery of what may be sacrificed in hasty dismissals of The Marble Faun. The present article proposes that this novel arrives at its greatest insights by a consideration of the dynamics of exclusionary violence as such. Henry James lamented the absence of "real psychology" in the novel, and Ludwig Lewisohn complained about its lack of "acceptable intellectual or moral content" (cited in Waples 1941, 224). Yet the novel's achievement may be seen to meet both these criteria, in part because it delivers an analysis of intellectual history as a history of mimetic sacrifice. In response to Waples's terms of challenge—the need for a certain light that reveals—I suggest that mimetic theory's reading of the Enlightenment allows the novel to disclose more critical historical intelligence than has generally been attributed to it. [End Page 133]This reading will focus on the interaction of three characters: the mysterious Miriam, the mysterious Donatello, and the even more mysterious figure known as the Model. In setting up the action of the narrative, the novel divulges little about the backgrounds of any of these characters but places them in a situation with a readily discernible structure: the relationships between the figures may be defined by the element of pursuit. Donatello follows Miriam wherever she goes. But he is not the only one who does so. The hazy figure of the Model likewise shadows Miriam. The Model's pursuit of Miriam may precede Donatello's, or the two pursuits may be somehow coeval; the novel refuses to specify either pursuit as original, focusing instead on the late-stage escalation of resentment between Donatello and the Model.This mimetic pursuit culminates in the central violent event of the novel: Donatello, claiming authorization from Miriam's glance, hurls the Model from a precipice. I have argued elsewhere that when the protagonists thus decisively act to exclude the shadowy character known as the Model, they enact the foundational move of Enlightenment discourse and the ideal of Platonic dialogue upon which that discourse is based.1 Michel Serres summarizes the Platonic-Enlightenment strategy of communicational purity and clarity:To hold a dialogue is to suppose a third man and to seek to exclude him; a successful communication is the exclusion of the third man. The most profound dialectical problem is not the problem of the Other, who is only a variety—or a variation—of the Same, it is the problem of the third man. We might call this third man the demon, the prosopopeia of noise.(1982, 67)Miriam and Donatello, the united protagonists, indeed demonize the Model in these terms. What I would now add to that equation is the value of the Model's vocational identity: he is a Capuchin monk. Within the communicational framework of my earlier analysis, the most telling details were detected in Hawthorne's emphasis on the Model's "noisy" and "hazy" profile. In hurling the Model from the edge of the precipice and thus silencing his interruptions, Donatello secures for... (shrink)

Wallace Martin's response to "Literary Criticism and Its Discontents" is anything but naive. Its most sophisticated device is to posit my invention of a "naive reader" and to suggest that I would place the New Critics and their heirs in that category. But when I see the movement of criticism after Arnold as exhibiting an anti-self-consciousness principle or being so worried about a hypertrophy of the critical spirit that the spirit is acknowledged only by refusing its seminal or creative (...) force, I am not alleging naiveté but "organized innocence," or the privileged assignment of some given, intuitive power of creation to the area of art which excludes the area of philosophy or philosophically-minded commentary. This defensive partition of the critical and the creative spirit, which recognizes the intelligence of the creative writer but refuses the obverse proposition that there may be creative force in the critical writer, I have elsewhere named the Arnoldian concordat. Geoffrey Hartman, professor of English and comparative literature at Yale University, is the author of Criticism in the Wilderness. (shrink)

In view of Hartman's article, the canny critic might with some justice claim that the dispute is actually one between Anglo-American and Continental traditions and arm himself with all the historical and philosophical resources that the former can provide. Occam's razor and the armed vision might in the end prove equal to Nietzsche's hammer and the broken hammer that haunts the pages of Heidegger. However, the canny critic will realize that no matter how armed, he would still lose the argument (...) because of his refusal to relinquish one resource that in the end constitutes his irreducible commitment to his tradition: his assumption that the debate should be conducted in accordance with rules he knows and understands. Through a Hegelian Aufhebung in critical controversy, it is now precisely those rules that are in question. What is at stake is not something that can be decided by rational arguments, but our shopworn conception of rationality itself; not logic, but the question of whether or not our logic is an a posteriori construction of a more primal rhetoric; not truth, but the devious ways in which this concept is used to mask the will to power. And finally, given that these are serious questions, they will be misunderstood if there is no room for play in discussing them. Wallace Martin, professor of English at the University of Toledo in Ohio, is the author of The New Age under Orage and is preparing a book on the theory of criticism. He responds in this essay to Geoffrey Hartman's "Literary Criticism and Its Discontents". (shrink)

All social theorists and philosophers who seek to explain human action have a 'model of man'; a metaphysical view of human nature that requires its own theory of scientific knowledge. In this influential book, Martin Hollis examines the tensions that arise from the differing views of sociologists, economists and psychologists. He then develops a rationalist model of his own which connects personal and social identity through a theory of rational action and a priori knowledge, allowing humans to both act (...) freely and still be a subject for scientific explanation. Presented in a fresh series livery and including a specially commissioned preface written by Geoffrey Hawthorn, Hollis's important work is made available to a new generation of readers. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 34.1 (2001) 1-20 [Access article in PDF] On the Hegelian Sublime: Paul de Man's Judgment Call Martin Donougho In recent years, the sublime has become a focus of renewed interest in philosophy and literary theory, despite being (perhaps in part because it is) "the most confused and confusing notion of the time" (Honour 1977, 145). 1 Much of the interest has been directed at the (...) Kantian account and the long tradition stemming from it. By contrast, little attention has been paid to G. W. F. Hegel's version of the sublime, whether of the phenomenon itself or of its conceptualization. That is natural enough, it might be thought, given the marginal place accorded the sublime in Hegel's scheme of things--he simply was not interested. Yet, that very marginality is of interest, if we follow the lead of the subtlest of commentators, Paul de Man, in his essay "Hegel on the Sublime" (1983). As de Man reads and diagnoses it, Hegel's marginalizing of the sublime (much as with the section on symbolics or, indeed, aesthetics tout court) serves the interests of an aesthetic ideology. The gesture of putting the sublime aside in fact reveals more about the philosopher's system than is found in his express doctrine, de Man insists. The sublime, like Hegel's allegory, should then be read symptomatically, as the "defective cornerstone" of the entire system. 2 In this essay, I have two aims: besides explicating Hegel's theory of the sublime on its own terms, I try to assess de Man's reading of Hegel's rhetorical strategies.Even if de Man's charges fail--as I argue they do--his approach to Hegel remains, I think, full of insights. The sublime, it might well be thought, betokens the same penetration of an objective field by subjective theory that (for Heidegger and others) is at issue with Western metaphysics as a whole; a prime instance of this would be Hegel's own allegedly masterful project, including his attempt at an aesthetic system. So understood, "on the sublime" would translate as over the sublime, that is, in a bid to enframe and control discourse about "the most high" or "great writing" (see Longinus). 3 And then we might ask, for example, what Hegel is doing [End Page 1] when he consigns the sublime to a minor role, or when he instead gives the classical Ideal star billing. How exactly does he stage his discourse about art?Oddly enough, Hegel's sublime is not at all part of the main theoretical line stemming (if only in retrospect) from Immanuel Kant. That line might be dubbed "the Romantic sublime"--the title of an influential book by Thomas Weiskel, which appeared posthumously in 1976--or, alternatively, "the Yale sublime," in honor of an entire group (which includes Geoffrey Hartman and Harold Bloom) who wrote about the tendency of Romantics such as William Wordsworth and Ralph Waldo Emerson to invest themselves in their topic. 4 Kant himself points to a possible illusory move he labels subreption. Here--to apply a useful distinction Peter de Bolla (1989) draws--we have not just a discourse on, but also a discourse of the sublime. 5 The discourse of the sublime produces the very category it is meant to analyze, hence providing a space for "experience" of the sublime. A boot-strapping process induces a "subject-effect," calls forth a subject position. The remarkable thing is that--although he is said at sixteen to have made a translation of Longinus 6 and although he was, of course, familiar with the whole Kantian approach, which in many respects should have been congenial to him--Hegel stands apart from this "Romantic," or "hermeneutic," sublime. He does not at all give the appearance of staging readings in the manner sketched above, but instead adopts a distanced, disinterested perspective on the phenomenon.Even so, his aesthetic system might be accused of framing a discourse on the sublime, which, through seeking dialectical profit on its investment, shades into a discourse of the sublime. Thus, de... (shrink)

Most of the medieval arts of poetry and prose were written before the middle of the thirteenth century, but their dissemination was not uniform in all parts of Europe. In England, the surviving copies of a work such as Geoffrey of Vinsauf's Poetria nova taper off notably toward the end of the thirteenth century, and the numbers do not begin to pick up again until the last quarter of the fourteenth century. This pattern is no accident of preservation but (...) reflects a significant revival of interest in Latin rhetoric and literature, centered at Oxford in the late fourteenth century. The characteristic literary materials and rhetorical methods of this renaissance resonated beyond the university environment and are reflected with striking precision in the references to rhetoric scattered throughout the vernacular poetry of Geoffrey Chaucer. (shrink)

Professor Martin West's paper, titled ‘The Parodos of the Agamemnon’’, argues with characteristic learning and insight that Archilochus’’ fable of the fox and the eagle was a major source for Aeschylus’’ description of the portent of the eagles and the pregnant hare in the parodos of the Agamemnon . The portent is vividly described by the chorus: two eagles, one black and one white behind feed upon a pregnant hare. Poetry is not real life, and Aeschylus’’ picture is not (...) a naturalist's field-report. At the same time, an image's power increases in proportion to its precision, and I have no doubt that at some stage behind Aeschylus’’ description there was a personal sighting of a parallel incident by Aeschylus himself perhaps, or by Archilochus, or by an unknown figure who passed on his report. Fraenkel's commentary avers that ‘precise zoological identification of the species of eagle named by Aeschylus must not be attempted.’’ This is a fair warning, but not for the reason advanced by Fraenkel here: the plumage variation among different birds of the same species, which makes the identification of large raptors in the wilds of Greece today a problem for even the most expert ornithologists. There are two better reasons. One will emerge in the course of this note. The other is that no ancient writer using the Greek language came at all near to the modern classification of eagle species native to Greece. (shrink)

ABSTRACT As a reverse effect of constraining interpretation and limiting itself to the moral ordering of commerce defended by Aquinas, the Summa Theologica both motivated the enrichment of the Christian imaginary in narratives like Dante Alighieri’s Divine Comedy and Geoffrey Chaucer’s work, The Canterbury Tales. In the case of the Divine Comedy, it expanded the reflection on the categories of sinners related to money, and as regards The Canterbury Tales, it provided support for the construction of anti-models in some (...) of the framed narrative types of misers, simoniacs, and fraudsters. This article aims to present Aquinas’ instructions regarding the uses of money, juxtaposing, at times, with literary texts. For this purpose, biblical passages, commentators of the Catholic tradition Bible, and texts from economists are brought in as the Summa Theologica is analyzed. Theoretical thinkers of Christian thought, such as Augustine and Boethius, and economic thought, such as Molina and Robbins, have been used. (shrink)

The late A. J. Ayer once dismissed Oxford Idealism as unphilosophical, with “the uplift coming from Balliol and subtleties from Merton.” If nothing else Geoffrey Thomas shows in this impressive and painstaking study that there was more than moral uplift at Balliol, and many subtleties besides, though how many of these last come from the University of London, where the book began life as a 1983 doctoral dissertation, is moot. Thomas notes two reasons why past philosophers continue to interest (...) us: either the fascination of arguments for positions that may well be insupportable, or else the intrinsic interest of certain perspectives they open up, though their actual reasoning may be weak. Thomas assigns Green firmly to the second camp, while trying his hardest to make good some of the poor or simply absent argumentation. An exercise in rational reconstruction as much as straight exposition, the book establishes a coherence and salience to Green’s moral thought that few might have suspected. (shrink)

Umm el-Qaab VII: Private Stelae of the Early Dynastic Period from the Royal Cemetery at Abydos. By Geoffrey Thorndike Martin. DAI Cairo, Archäologische Veröffentlichungen, vol. 123. Wiesbaden: Harrassowitz Verlag, 2011. Pp. 219, 90 plts. €128.

In this paper, I consider the contribution of Geoffrey Bennington's book, _Scatter 1_, to the ongoing discussion of the political dimension of deconstruction. Focusing on the resonances between Bennington's "politics of politics" and the notion of infrapolitics, I suggest that Bennington's major contribution revolves around the introduction of undecidability into political action and thought.

Background In this study, we examined the ethical implications of Egypt’s new clinical trial law, employing the ethical framework proposed by Emanuel et al. and comparing it to various national and supranational laws. This analysis is crucial as Egypt, considered a high-growth pharmaceutical market, has become an attractive location for clinical trials, offering insights into the ethical implementation of bioethical regulations in a large population country with a robust healthcare infrastructure and predominantly treatment-naïve patients. Methods We conducted a comparative analysis (...) of Egyptian law with regulations from Sweden and France, including the EU Clinical Trials Regulation, considering ethical human subject research criteria, and used a directed approach to qualitative content analysis to examine the laws and regulations. This study involved extensive peer scrutiny, frequent debriefing sessions, and collaboration with legal experts with relevant international legal expertise to ensure rigorous analysis and interpretation of the laws. Results On the rating of the seven different principles (social and scientific values, scientific validity, fair selection of participants, risk-benefit ratio, independent review, informed consent and respect for participants) Egypt, France, and EU regulations had comparable scores. Specific principles (Social Value, Scientific Value, and Fair selection of participants) were challenging to directly identify due to certain regulations embodying 'implicit' principles more than explicitly stated ones. Conclusion The analysis underscores Egypt's alignment with internationally recognized ethical principles, as outlined by Emanuel et al., through its comparison with French, Swedish, and EU regulations, emphasizing the critical need for Egypt to continuously refine its ethical regulations to safeguard participant protection and research integrity. Key issues identified include the necessity to clarify and standardize the concept of social value in research, alongside concerns regarding the expertise and impartiality of ethical review boards, pointing towards a broader agenda for enhancing research ethics in Egypt and beyond. (shrink)

En el breve tratado _Del rimaritarsi_ (1542) el humanista italiano Sperone Speroni aborda un tema de interés en el Renacimiento, el de las viudas y las segundas nupcias. Se parte del análisis de este texto y se confronta con los de otros humanistas del mismo periodo, como Erasmo, Fusco, Valier, Trissino, Savonarola, Zarrabin, Cabei, Trotto, Dolce o Vives, para poder entender que la defensa del matrimonio también para la viuda es uno de los elementos clave del nuevo concepto de familia (...) en la sociedad moderna. (shrink)

Herbert Marcuse examined the subjective and material conditions of radical social change and developed the "Great Refusal," a radical concept of "the protest against that which is." The editors and contributors to the exciting new volume The Great Refusal provide an analysis of contemporary social movements around the world with particular reference to Marcuse's revolutionary concept. The book also engages-and puts Marcuse in critical dialogue with-major theorists including Slavoj Žižek and Michel Foucault, among others. The chapters in this book analyze (...) different elements and locations of the contemporary wave of struggle, drawing on the work and vision of Marcuse in order to reveal, with a historical perspective, the present moment of resistance. Essays seek to understand recent uprisings-such as the Zapatistas in Mexico, the Arab Spring, and the Occupy movement-in the context of Marcuse's powerful conceptual apparatus. The Great Refusal also charts contemporary social movements against global warming, mass incarceration, police brutality, white supremacy, militarization, technological development, and more, to provide insights that advance our understanding of resistance today. Contributors include: Kevin B. Anderson, Stanley Aronowitz, Joan Braune, Jenny Chan, Angela Y. Davis, Arnold L. Farr, Andrew Feenberg, Michael Forman, Christian Fuchs, Stefan Gandler, Christian Garland, Toorjo Ghose, Imaculada Kangussu, George Katsiaficas, Douglas Kellner, Sarah Lynn Kleeb, Filip Kovacevic, Lauren Langman, Heather Love, Peter Marcuse, Martin J. Beck Matuštík, Russell Rockwell, AK Thompson, Marcelo Vieta, and the editors. (shrink)

Does nursing possess a character? The idea that professions have characters is hard to sustain, and the possibility that nursing as a collectively or occupation lacks a character is worth considering. To this end it is argued that absent robust theoretical and/or evidential scaffolding it is implausible to suppose that nursing has an objectively real (reality describing) character, and if ‘nursing's character’ is chimeric or illusory, aspects of our conception of professionalism require reappraisal. Specifically, traits and values that attach to (...) nursing and are implicated in the concept of character are, shorn of their moorings, untethered. This may be significant. (shrink)

Některé ze společenských věd spojuje myšlenka „tichého relativizmu“. Podíváme-li se totiž pozorně na práce kulturních antropologů a historiků, zjistíme, že ačkoli by váhali veřejně si to přiznat, prakticky sdílejí představu o odlišných, na sebe nepřevoditelných, pojmových schématech. To z nich činí podezřelé z relativizmu. Sdílejí také ideu, že pro toto přesvědčení – přes všechny námitky filozofů – nalézají dostatek empirických podkladů. Ve svém příspěvku vysvětlím pozadí tohoto přesvědčení. Vysvětlím, proč je pro něj klíčová myšlenka nesouměřitelnosti, a pokusím se zvážit, zda (...) Davidsonova základní námitka o „přeložitelnosti“ je dostatečně pevná pro to, abychom mohli odmítnout myšlenku nesouměřitelnosti jednou pro vždy. Uvedu příklady podporující podezření, že tzv. empirická zjištění podporující kulturní relativizmus většinou obsahují metodologické či pojmové nepřesnosti či chyby. Some social scientists share the ideology of cultural relativism. This is not to say that they overly subscribe to it, the commitment to it is rather implicit to their attitudes. That is, if we take a closer look at the works of many sociologists, anthropologists and historians, we can clearly discern relativistic patterns. They also share the idea that their approach, involving the relativism, has strong empirical foundations – despite objections of many philosophers. In my article, I am going to explain the motivation for such a cultural relativism. I will claim that that the key underlying idea is that of a certain kind of incommensurability. That is mean that the idea of relativism stay and fall with the idea of incommensurability.I will discuss whether the Davidsonian approach to relativism via the problem of translability is viable. I will claim that without the possible existence of two distinct conceptual schemes or two distinct languages associated with them there is simply no issue of incommensurablity. I will also claim that most of the socalled empirical proofs of cultural relativism are based on conceptual or methodological confusions. (shrink)

Studie tematizuje dva fenomenologické přístupy k tělu a poukazuje na jejich slabiny. Větší pozornost je věnována Husserlově výkladu těla v Idejích II: zejména analýzou teorie „lokalizace“ se snažíme ukázat, že Husserl nedoceňuje význam extenzionality těla. Merleau-Pontyho koncepce z Fenomenologie vnímání je poté interpretována jako takový přístup k tělu, v němž je tělo redukováno na neosobní dovednost, resp. mohutnost jednání. Studie dospívá k závěru, že fenomenologie nemůže pojmout tělo jako princip zjevování, jehož konstitutivní působení by dokázala artikulovat analýzou prožívání, nýbrž spíše (...) je musí respektovat jako „sféru“ nezjevnosti, která se v prožívání a zjevování projevuje autonomním způsobem.The study interprets two phenomenological approaches to the body and underlines their weak points. More attention is dedicated to Husserl’s explication of the body in Ideas II: particularly on the basis of his theory of “localization“ we try to show that Husserl underestimates the extensionality of the body. Merleau-Ponty’s concept in Phenomenology of Perception is then interpreted as such an approach to the body that reduces it to an impersonal skill of our (bodily) actions. Our conclusion is that phenomenology cannot conceive the body as a principle of appearing, the constitutive role of which it might articulate through an analysis of experience, but instead it should respect it as an “area“ of the un-apparent that manifests itself autonomously in experience. (shrink)

Three principal varieties of mathematical structuralism are compared: set-theoretic structuralism (‘STS’) using model theory, Shapiro's ante rem structuralism invoking sui generis universals (‘SGS’), and the author's modal-structuralism (‘MS’) invoking logical possibility. Several problems affecting STS are discussed concerning, e.g., multiplicity of universes. SGS overcomes these; but it faces further problems of its own, concerning, e.g., the very intelligibility of purely structural objects and relations. MS, in contrast, overcomes or avoids both sets of problems. Finally, it is argued that the modality (...) of MS or a close cousin appears at crucial junctures in both STS and SGS, so that the above outcome is not obviously tendentious. (shrink)

Varios autores han realizado análisis sobre la relación entre la religión y la tecnología concluyendo diferentes interpretaciones, sin embargo el movimiento utópico transhumanista se presenta como un potencial desarrollo de nuestra empresa tecnocientífica que podría suponer una “superación” de la religión. En cambio atendiendo a la crítica que realizaron algunos pensadores al respecto, es posible observar una continuidad del proyecto transhumanista con ciertas corrientes herméticas y milenaristas. Para observar este fenómeno se investigan algunas de sus propuestas actuales y su posición (...) general sobre el fenómeno religioso, así como la opinión de la religión contemporánea (principalmente desde el cristianismo occidental) al respecto del transhumanismo. El artículo concluye con un intento de aportar consideraciones alternativas al respecto de la relación entre la religión y el desarrollo tecnológico. (shrink)